Electric Mud Flutes (2015)
Recently I have been hand-crafting a collection of electric mud flutes which are sculptural hand-made instruments made from native mud from different regions of NSW Australia. (prototype 1: 01-02-2915)
Recently I have been hand-crafting a collection of electric mud flutes which are sculptural hand-made instruments made from native mud from different regions of NSW Australia. (prototype 1: 01-02-2915)
Bassist Robert Black performs the European premiere of ‘The Hermit Thrush & The Astronaut (2012) on European Tour.
Premiere performance
16-12-2014 – Bloodmoon October | performed by Aron Kallay (piano) and Kate Moore (electronics) | Piano Spheres | REDCAT | Los Angeles, California
Synaesthesia Suite – Kate Moore
Joe Puglia – violin | Slagwerk Den Haag | Kate Moore – electronics
6 November 2014 November Music | Willem II Fabriek | Den Bosch | Netherlands
Program:
Fern – violin, percussion, electronics
Heather – violin, percussion
Synaesthesia Suite – violin, electronics
Kate Moore: Dances and Canons (ECM New Series 2344).

Music performed by Saskia Lankhoorn www.saskialankhoorn.com
Tour dates
28-09-2014 Dances & Canons (preview and interview) | pianist Saskia Lankhoorn | VPRO | De Pont Tilburg
24-10-2014 Dances & Canons | pianist Saskia Lankhoorn, sound Clare Gallagher, light installation Maarten Warmerdam | Sounds of Music Festival | The Grand Theater | Groningen
08-11-2014 Dances & Canons | pianist Saskia Lankhoorn | November Music | ‘s Hertogenbosch 21.00
04-12-2014 Dances & Canons | pianist Saskia Lankhoorn | AINSI | Maastricht
11-12-2014 Dances & Canons | pianist Saskia Lankhoorn |Kunst Bazaar | Trouw/ De Verdieping | Amsterdam
15-02-2015 Dances & Canons | pianist Saskia Lankhoorn | Lantaren-Venster | Rotterdam
11-04-2014 Dances & Canons | pianist Saskia Lankhoorn | Muziekgebouw aan ‘t Ij | Amsterdam
01-05-2015 Dances & Canons | pianist Saskia Lankhoorn | Korzo Theater | The Hague | NL
03-05-2015 Dances & Canons | pianist Saskia Lankhoorn | Muziekgebouw aan ‘t Ij | Amsterdam
“Cultural icons are a preferred source of inspiration for the Dutch-Brazilian choreographer Samir Calixto. Previously, he used highlights from the classical music repertoire for his performances; this time, John Milton’s epic poem Paradise Lost serves as inspiration. This work from 1667 tells of man’s fall from grace and his banishment from paradise. Contrasts and oppositions drive the performance. Light, dark, good, evil, sacred, and godless; these oppositions are set up with an aim to discover parallels and peel off the many layers. Three dancers are driven with a strong physical intensity – a dance style characteristic of Calixto – through these paradoxical forces, until we see humanity as we know it: fragile, complex, and mortal. The western concept of sanctity is reviewed in an attempt to comprehend the ways in which man constantly submits to intangible forces.”
Music by Kate Moore performed by The Amsterdam Cello Quartet
No man’s land